A powerful male figure, draped in a swirling red garment, dominates the upper center of the composition, his muscular body twisting as he hurls fiery thunderbolts downward. His left arm is flung wide, while his right hand clutches a mass of flame, the gesture forceful and commanding. Below, a cluster of figures tumble in chaotic disarray, their bodies contorted in fear and pain as they recoil from the attack above.

The lower figures are robust and muscular, their flesh painted in warm tones, with draperies of green, orange, and white swirling around their limbs. The background is filled with billowing clouds, rendered in soft blues and greys, creating a dramatic contrast to the vivid flesh and drapery of the figures. Light streams from the upper left, illuminating the central god and casting deep shadows across the bodies below, heightening the sense of drama and movement.

The brushwork is fluid and energetic, especially in the rendering of clouds and drapery, where sweeping strokes create a sense of swirling motion. The composition is arranged on a steep diagonal, with the divine figure and eagle at the apex and the defeated vices tumbling toward the lower edge, emphasizing the force of the god's attack. Small details, such as the golden bracelet on the god’s arm and the intricate feathers of the eagle, reveal the artist’s attention to both narrative and texture.

A youthful figure with golden hair and a white-and-gold drapery sits just below the central god, gazing downward and clutching a dark object to the chest. The eagle, with its wings spread wide and talons gripping a red object, is positioned to the right of the god and partially overlaps the golden-haired figure. In the lower left corner, a figure in a pinkish-orange garment is seen falling backward, with one leg extended outward and toes pointed.

At the bottom edge, a bearded man with a chain around his neck and wrist clutches his head in apparent distress, his face turned toward the viewer. The background clouds shift from pale blue and white at the top left to darker, stormier tones at the upper right edge. The paint is applied with broad, sweeping strokes in the clouds and garments, while the outlines of limbs and faces are sharply defined, creating a dynamic contrast between softness and clarity.