Capriccio of a round Church with an elaborate Gothic Portico in a Piazza, a Palladian Palazzo and a Gothic Church beyond — History & Facts
No church like the one at the heart of Capriccio of a round Church with an elaborate Gothic Portico in a Piazza, a Palladian Palazzo and a Gothic Church beyond ever stood in Venice or anywhere else. In 1753, Canaletto—famed for his meticulous views of real Venetian landmarks—turned instead to the world of fantasy, assembling architectural marvels from different centuries and styles into a single, impossible piazza. This capriccio, or architectural fantasy, was a genre that allowed artists to invent new cityscapes by blending reality with imagination, delighting collectors who craved both the familiar and the exotic. Here, the eye is drawn first to the grand round church, its entrance crowned by a lacework Gothic portico that seems to float above the square.
To the left, a Palladian palace anchors the scene with classical restraint, while in the distance, another Gothic church rises, its spires echoing the fanciful entrance in the foreground. Figures in 18th-century dress stroll and converse, bringing life to this invented city, their scale enhancing the monumental architecture around them. Unlike Piranesi, whose capricci often verge on the ruinous and melancholic, Canaletto fills his piazza with light and order, suggesting a harmonious coexistence of past and present. The exact patron for this painting is not recorded, but such capricci were especially popular with British Grand Tourists seeking souvenirs of Italy that went beyond the merely documentary.
After years spent in England, Canaletto returned to Venice in the early 1750s and produced several works in this imaginative vein, a departure from his earlier, more literal vedute. The painting’s subsequent history is less clear, as many capricci changed hands privately and were sometimes misattributed or paired with companion pieces. Today, Capriccio of a round Church with an elaborate Gothic Portico in a Piazza, a Palladian Palazzo and a Gothic Church beyond stands as a testament to Canaletto’s inventive spirit and the 18th-century fascination with architectural fantasy.
More Artworks by Canaletto

The Grand Canal, Venice, looking north-west from the Ca' Corner to the Ca' Contarini degli Scrigni, with the campanile of Santa Maria della Carità
Canaletto

Venice, Bacino di San Marco on Ascension Day
Canaletto

Windsor Castle
Canaletto

The Grand Canal looking North-East from the Palazzo Dolfin-Manin to the Rialto Bridge
Canaletto

Venice: The Campo SS. Giovanni e Paolo
Canaletto

Venice: The Grand Canal from the Rialto to the Palazzo Foscari
Canaletto

Venice: The Molo towards the Dogana and Santa Maria della Salute
Canaletto

Venice: The Piazzetta
Canaletto

Venice, View of San Giorgio Maggiore
Canaletto

London: The Thames from Somerset House Terrace towards Westminster
Canaletto



