Of course you can tell fortunes with cards — History & Facts
Few images of the Gilded Age have shaped the popular imagination as enduringly as Of course you can tell fortunes with cards by Charles Dana Gibson. This drawing, widely circulated in magazines in the late nineteenth and early twentieth centuries, helped cement the "Gibson Girl" as an icon of American femininity—independent, witty, and socially astute. Gibson’s illustrations were so influential that, as one critic wrote in 1901, "he has created the type, and the type has created the woman." The precise date and original medium of this particular work remain uncertain, but its presence in periodicals made it instantly accessible to a broad audience hungry for images of modern social life. The scene captures a moment of playful intrigue: a poised young woman, cards splayed in her hands, leans forward with a knowing smile as her companions—gentlemen and ladies alike—look on in anticipation.
The fortune-telling game, a popular pastime at fashionable gatherings, becomes a stage for flirtation and subtle social maneuvering. Gibson’s deft pen lines highlight the confident tilt of the woman’s chin, the attentive posture of her audience, and the elaborate details of dress and setting. The lightness of touch and lively expressions recall the social wit of John Singer Sargent’s portraits, though Gibson’s medium and humor are distinctly his own, capturing the spirit of an era on the cusp of change. As with many of Gibson’s works, Of course you can tell fortunes with cards was likely first published as an illustration, rather than as a unique object destined for a gallery wall.
Its life has been one of reproduction—appearing in magazines, books, and later, museum collections devoted to American illustration. The drawing reflects Gibson’s central role in defining the visual culture of his time, and its continued display in online galleries and print anthologies attests to its enduring appeal. While the original sheet may reside in a private collection or archival folder, the image itself remains a touchstone for understanding the aspirations and amusements of the Gilded Age elite.
More Artworks by Charles Dana Gibson

Temptation
Charles Dana Gibson

To see the art editor
Charles Dana Gibson

In the Lord Chief Justice’s Court
Charles Dana Gibson

A Sidewalk Artist
Charles Dana Gibson

A special exhibit
Charles Dana Gibson

At Dinner
Charles Dana Gibson

At the royal academy
Charles Dana Gibson

At the Savoy
Charles Dana Gibson

Some of the caretaker’s relations
Charles Dana Gibson

Theodore Roosevelt
Charles Dana Gibson
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