A man with a pointed moustache and a slight smile stands turned three-quarters to the viewer, his gaze directed outward from beneath the shadow of a broad black hat. His face is brightly illuminated, revealing a ruddy complexion and expressive eyes, while the rest of his figure recedes into a softly shadowed background. He wears a crisp, elaborate white ruff collar that catches the light with sharp, angular folds, painted with energetic, textured brushstrokes that suggest the play of light on starched linen.

His dark clothing, rendered in deep blacks and subtle browns, is painted with loose, sweeping strokes that contrast with the precise detail of the ruff. One gloved hand rests on the top of a cane or staff, with the other hand just visible, suggesting a poised and confident stance. The background is a warm, muted brown, with no architectural or landscape elements, focusing attention entirely on the sitter.

The brushwork varies from the smooth, blended modeling of the face to the bold, almost abstract handling of the black costume, giving the surface a lively texture. The composition is tightly cropped, filling the frame with the figure’s upper body and emphasizing his presence and personality. A small red shield with three white stars and a wavy blue stripe appears in the upper right corner, hanging from a simple black loop.

The background transitions from a lighter brown near the top left to a deeper, almost olive tone at the bottom and right edges. The sitter's left glove, clasped around the cane, is rendered in creamy whites and yellows, with loose, gestural brushstrokes suggesting soft leather. A faint inscription is visible to the right of the figure, painted in brownish letters that blend subtly with the background.

The brim of the black hat casts a shadow diagonally across the sitter's forehead and right cheek, emphasizing the contours of his face. The lower left corner of the canvas shows a sharp, dark triangular area, contrasting with the softer transitions elsewhere. Hints of gold trim are visible at the cuffs and along the edge of the sleeve, painted with quick, bright strokes.

No other figures or objects are present, and the composition leaves broad areas of unmodulated background, especially in the upper and right portions of the painting.