Portrait of Josnia Parduyn (1642-1718), second wife of Aernout van Citters — History & Facts
The most intriguing fact about Portrait of Josnia Parduyn (1642-1718), second wife of Aernout van Citters is that it captures a woman whose marriage linked two prominent Zeeland families, a union that would shape the fortunes of the Dutch patriciate in the late seventeenth century. Josnia Parduyn’s life spanned the turbulent years of the Dutch Republic, and her portrait, commissioned during her marriage to Aernout van Citters, speaks to the social ambitions and networks of Zeeland’s elite. Although the exact date and circumstances of the commission remain uncertain, it is known that portraits like this were often exchanged between families as tokens of alliance and status. The sitter appears in the restrained finery typical of Dutch portraiture, her gaze steady and composed, hands folded with a hint of reserved confidence.
Schalcken, renowned for his subtle handling of candlelight, here employs a gentle illumination that softly models Josnia’s features, suggesting both dignity and approachability. The choice of dress and the careful rendering of lace and jewelry signal her family’s prosperity, while her calm demeanor hints at the expectations placed upon women of her standing. Unlike the theatricality of Rembrandt’s portraits, Schalcken’s approach is intimate and direct, inviting the viewer to consider the sitter’s inner life as much as her outward rank. The painting’s early history is not fully documented, but it likely remained within the van Citters or Parduyn families for generations, as was customary for such works.
Over time, it has passed through private hands and may have been misattributed, a fate not uncommon for works by Godfried Schalcken, whose style was sometimes confused with that of his contemporaries. Today, the portrait stands as a testament to Schalcken’s reputation among the Dutch elite, reflecting both his technical skill and his ability to capture the subtleties of character. It is now preserved in a public collection, offering a rare glimpse into the world of Zeeland’s patrician women during the Dutch Golden Age.
More Artworks by Godfried Schalcken

Young Man and Woman Studying a Statue of Venus, by Lamplight
Godfried Schalcken

Portrait of an Artist in His Studio
Godfried Schalcken

Portrait of Isabella Agneta Deutz
Godfried Schalcken

Portrait of Josina Clara van Citters (1671-1753), daughter of Josina Parduyn
Godfried Schalcken

Portret van Johan de Bruin (1678-
Godfried Schalcken

Girl with Burning Candle
Godfried Schalcken

A Useless Moral Lesson
Godfried Schalcken

‘Differing tastes’
Godfried Schalcken

The betrayal of Judas
Godfried Schalcken

Young Woman with Lemon
Godfried Schalcken






