The Adoration of the Magi (Monforte Altarpiece), painted by Hugo van der Goes around 1470, is an oil on oak panel depicting the biblical scene of the Magi presenting gifts to the infant Christ. This work is a significant example of Early Netherlandish painting and was created during a period when van der Goes was active in Flanders, prior to his move to the Rood Klooster monastery near Brussels. The painting is widely recognized as one of van der Goes's major altarpieces, executed at a time when he was already established as a leading painter in the Burgundian Netherlands. The composition centers on the Virgin Mary, seated and holding the Christ Child, surrounded by the three Magi, each bearing gifts and depicted in richly detailed garments.

The figures are arranged in a shallow architectural setting, with a ruined building opening onto a detailed landscape in the background. The artist employs a vivid palette, with deep blues, reds, and golds, and demonstrates meticulous attention to the rendering of textures, from the fur trim of the Magi's robes to the reflective surfaces of the gifts. The scene is populated by additional figures, including attendants and onlookers, and incorporates symbolic elements such as the iris flowers and the broken stone foreground. The Monforte Altarpiece is named after the Spanish town of Monforte de Lemos, where it was recorded in the 19th century.

Its earlier provenance is not fully documented, but it is known to have been highly regarded from the time of its rediscovery. The painting is currently housed in the Gemäldegalerie, Berlin. Over the centuries, the work has been studied for its innovative composition, psychological characterization, and technical mastery, and it remains a key work in the study of Northern Renaissance art.