A great throng of figures fills the canvas, rising in a swirling mass from the lower left toward the upper right, where a group of robed and haloed figures preside on clouds. Below this celestial assembly, naked bodies twist and reach upwards, some with arms extended in hope or supplication, others recoiling in fear or despair. The left side is crowded with muscular forms, some standing, some kneeling, their faces turned upward, while on the right, several figures are cast down, their bodies contorted and their expressions anguished.

A large, coiling serpent emerges at the lower right, its dark form entwined around a fallen figure, adding a sense of menace to the tumult below. The light pours from above, illuminating the upper figures and casting dramatic shadows across the bodies below, emphasizing the contrast between salvation and damnation. The composition is dynamic, with sweeping diagonals and tightly packed figures creating a sense of motion and urgency.

The brushwork appears energetic and expressive, with bold contrasts between light and dark that model the forms and heighten the drama of the scene. Small details, such as the clasped hands of the hopeful and the averted faces of the condemned, heighten the emotional intensity of the moment. At the upper left edge, a group of standing figures in flowing robes appears partially obscured by clouds, their forms blending into the misty background.

In the lower left corner, a seated figure draped in a cloth looks downward, isolated from the tumult above. The background is filled with swirling, smoky forms that merge into the clouds, creating a hazy, atmospheric effect behind the figures. On the far right edge, a figure with an arm raised shields their face, their body partially turned away from the viewer.

The paint handling in the upper background is looser and more diffuse, with soft transitions between light and shadow, while the lower foreground is rendered with sharper contrasts and more defined contours. The subject is the Day of Judgment, as described in the source, showing the division of the blessed and the damned.