Waiting for something to turn up — History & Facts
Few images from the Gilded Age so crisply capture the anxieties of economic uncertainty as Waiting for something to turn up by Charles Dana Gibson. When this drawing first appeared in the pages of Life magazine, readers instantly recognized themselves in its characters: the genteel, well-dressed figures sitting in uneasy anticipation. The phrase itself—“waiting for something to turn up”—echoed a popular sentiment in late 19th-century America, when fortunes were made and lost overnight, and many clung to hope for a stroke of luck.
Gibson’s illustration, with its wry humor and social insight, became shorthand for a generation’s uneasy relationship with prosperity. At the heart of the scene, a group of elegantly dressed men and women lounge in a parlor, their postures slack, their gazes distant. The women’s elaborate hats and the men’s stiff collars suggest respectability, but their idle hands and vacant expressions betray a deeper malaise. Gibson’s deft penwork lingers on the details: a toppled newspaper, a clock ticking away the afternoon, a faintly mocking portrait on the wall.
Unlike William Powell Frith’s bustling Victorian interiors, Gibson’s world is one of stasis and expectation, where the drama lies not in action but in the tension of waiting. The artist’s signature “Gibson Girl” appears here not as an icon of confidence, but as a figure caught in limbo, her future uncertain. The exact date and medium of this drawing remain uncertain, as is often the case with Gibson’s prolific output for magazines and periodicals. Waiting for something to turn up was likely created in the 1890s or early 1900s, during the height of Gibson’s fame as America’s leading illustrator.
The original may have been lost or dispersed among private collections, but its image survives in countless reproductions and anthologies of Gibson’s work. Today, the drawing stands as a testament to Gibson’s keen observation of social types and his ability to distill the mood of an era—an era when, for many, waiting was both a pastime and a condition of life.
More Artworks by Charles Dana Gibson

Temptation
Charles Dana Gibson

To see the art editor
Charles Dana Gibson

In the Lord Chief Justice’s Court
Charles Dana Gibson

A Sidewalk Artist
Charles Dana Gibson

A special exhibit
Charles Dana Gibson

At Dinner
Charles Dana Gibson

At the royal academy
Charles Dana Gibson

At the Savoy
Charles Dana Gibson

Some of the caretaker’s relations
Charles Dana Gibson

Theodore Roosevelt
Charles Dana Gibson
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