A muscular figure dominates the foreground, his body twisted in a powerful motion as he raises a heavy club high above his head. His left arm grips the thick, scaly neck of a serpent-like dragon, which coils and writhes beneath him, its head thrown back in a final, desperate gesture. The man's face is shadowed but intent, his gaze fixed on the beast as he prepares to strike.

The dragon's body loops in a dramatic spiral to the right, its tail curling upward and framing the upper edge of the scene. To the left, a row of tall, slender trees recedes into the distance, their trunks casting vertical accents against a luminous sky. The light falls from the left, illuminating the man's back and shoulders, and casting deep shadows across his torso and the dragon's scales.

The palette is dominated by earthy browns and greens, with flashes of lighter tones where the light catches flesh, foliage, and the dragon's gleaming body. Broad, energetic brushstrokes model the muscles and limbs, while the dragon's skin is rendered with a rough, textured surface that contrasts with the smoothness of the man's body. The composition is tightly focused on the struggle, with the two figures locked in a swirling, almost circular arrangement that fills the canvas.

Small details, such as the veins on the man's arms and the dragon's open jaws, add a sense of immediacy and tension to the scene. A rectangular garden with geometric beds and straight paths stretches behind the central figures, receding into the distance. In the upper right corner, a leafy branch juts into the scene, partially framing the coiled tail of the dragon.

The far background is softly blurred, with distant trees and a hazy horizon rendered in lighter tones. The lower left corner contains a dark shadow that merges with the edge of the foreground, obscuring any ground detail. The paint application in the background is looser and more atmospheric, with thin washes and indistinct lines contrasting with the defined, muscular forms in the foreground.