A man in a green suit reclines on a white pillow, his eyes half-closed and his head tilted gently to the side, while his right hand loosely holds a small black mirror near the edge of the composition. Three women and one man surround him, each absorbed in their own gestures of mourning: to the left, a woman in a red blouse and purple skirt leans over the pillow, her hand resting on the dying man's chest. Behind her, a man in a violet jacket presses a handkerchief to his face, his eyes closed and his body turned away from the scene, lost in grief.

At the center, a woman in a blue dress bends forward, her gaze fixed on the dying man, while to the right, another woman in orange sits upright, lifting a richly patterned red and gold cloth that covers the lower half of the man's body. The background is a deep, undulating blue, punctuated by the sharp green fronds of a palm, which rise behind the figures and add a note of exoticism to the scene. The composition is tightly arranged, with the mourners forming a protective circle around the reclining figure, their bodies overlapping and their gestures echoing the curves of the man's posture.

Intense, saturated colors dominate the canvas, from the emerald green of the suit and the vivid orange of the dress to the deep blues and purples that define the space and clothing. The brushwork is fluid and expressive, with visible strokes that create a sense of movement in the fabrics and background, while the faces and hands are rendered with smooth, almost porcelain-like clarity. Small details, such as the glint of the mirror and the intricate pattern of the drapery, reward close inspection and heighten the sense of theatricality.