The Laundresses in Arles — History & Facts
When Paul Gauguin arrived in Arles in the autumn of 1888, he found himself in the midst of a creative storm alongside Vincent van Gogh. It was during this brief but intense collaboration that Gauguin painted The Laundresses in Arles, capturing a scene from daily life in the southern French town. The painting stands out as one of the few works from this period where Gauguin directly observed and depicted local women at their labor, rather than relying on memory or imagination.
This moment marks a rare intersection between his early naturalism and the bold color experiments that would soon define his style. The canvas centers on two women bending over the river’s edge, their skirts hiked and arms plunged into the water, rhythmically scrubbing linen. Gauguin chooses the late afternoon, when the light turns golden and long shadows stretch across the banks, lending the scene a quiet dignity. The women’s postures—stooped but steady—speak to the endurance of rural life, while the rippling water and scattered garments create a sense of movement and repetition.
Unlike Jean-François Millet’s solemn washerwomen, Gauguin’s figures are integrated into a tapestry of color and pattern, suggesting not hardship, but a harmonious relationship with their surroundings. The composition, with its flattened perspective and decorative outlines, hints at the Synthetist approach that Gauguin and his circle were beginning to explore. The precise fate of The Laundresses in Arles after its creation is not fully documented, but it is generally believed to have remained in private hands for several decades before entering a public collection. Painted just before Gauguin’s departure for Brittany and, later, Tahiti, the work stands as a testament to his brief but influential stay in Arles—a period that shaped both his and van Gogh’s artistic directions.
Today, the painting is recognized as a bridge between Gauguin’s early realism and the radical innovations that would follow. Its survival offers a rare glimpse into the artist’s evolving vision at a turning point in his career.
More Artworks by Paul Gauguin

Self Portrait
Paul Gauguin

Three Tahitian Women
Paul Gauguin

When Will You Marry?
Paul Gauguin

Where Do We Come From? What Are We? Where Are We Going?
Paul Gauguin

Merahi metua no Tehamana
Paul Gauguin

Nave Nave Mahana
Paul Gauguin

Fatata te Miti (By the Sea)
Paul Gauguin

Three Tahitians
Paul Gauguin

Breton Girls Dancing,Pont-Aven
Paul Gauguin

Nave Nave Fenua
Paul Gauguin
More Genre Scene Art

Banquet of the Officers of the St George Civic Guard
Frans Hals

Rembrandt and Saskia in the Scene of the Prodigal Son
Rembrandt van Rijn

Bal du moulin de la Galette
Pierre-Auguste Renoir

Quadrille at the Moulin Rouge
Henri de Toulouse-Lautrec

A Burial at Ornans
Gustave Courbet

When Will You Marry?
Paul Gauguin
