Theodore Gericault 116 (39026091264) — History & Facts
No other artist of the early nineteenth century so thoroughly shocked the Paris Salon as Théodore Géricault did with his unflinching subjects and daring technique. While the exact origins and medium of Theodore Gericault 116 (39026091264) remain uncertain, the work is often discussed in connection with Géricault’s relentless exploration of the human condition, particularly in the wake of his notorious The Raft of the Medusa scandal in 1819. Géricault’s willingness to probe the boundaries of decorum—whether through depictions of madness, suffering, or mortality—set him apart from his contemporaries and cemented his reputation as a pioneer of the Romantic movement. The painting captures a moment of psychological tension, typical of Géricault’s fascination with the extremes of human experience.
A solitary figure, rendered with vigorous brushwork, confronts the viewer directly—his gaze intense, his posture rigid, as if caught between despair and defiance. The stark interplay of light and shadow heightens the drama, isolating the subject from any clear narrative context and inviting speculation about his fate. This focus on the individual’s inner turmoil recalls Géricault’s series of portraits of the insane, where each sitter’s expression becomes a study in suffering and resilience.
Unlike Ingres, whose portraits often idealize their subjects, Géricault’s approach is raw, immediate, and unvarnished. The precise provenance of Theodore Gericault 116 (39026091264) is unclear, as is its original patron or intended setting. Like many of Géricault’s works, it may have circulated privately or remained in the artist’s studio, only to be rediscovered by later generations of collectors and scholars. Today, the painting stands as a testament to Géricault’s restless experimentation during a brief but influential career, marked by both critical acclaim and controversy.
Its presence in the online gallery allows new audiences to reflect on the enduring power of Géricault’s vision, even when the full details of its creation remain shrouded in mystery.
More Artworks by Théodore Géricault

The Raft of the Medusa
Théodore Géricault

Géricault - Le naufrage du radeau de la Méduse, MBA 790
Théodore Géricault

Cattle Market
Théodore Géricault

Evening; Landscape with an Aqueduct
Théodore Géricault

Horse Race
Théodore Géricault

Horses Standing in a Mews
Théodore Géricault

Portrait of a Negro
Théodore Géricault

Portrait of Zoë Elmore
Théodore Géricault

Cheval attaqué par un lion
Théodore Géricault

Cheval brun à l'écurie
Théodore Géricault






