Two large stacks of wheat rise at the center of the composition, their golden forms built up with thick, swirling strokes of yellow and ochre paint. Each stack is edged in deep green shadows and sits amid a tangle of grasses and scattered cut stalks that fill the foreground with curling, energetic lines. The field stretches outward in every direction, its surface animated by short, looping brushstrokes in shades of bright green and pale yellow.

To the left, a dense patch of leafy plants occupies the lower corner, rendered with rounded, rhythmic marks that suggest their lush growth. Beyond the wheat stacks, the landscape recedes into a patchwork of fields, their boundaries marked by thin, dark lines and clusters of distant trees. The sky above is a band of intense blue, streaked with curved, parallel dashes of lighter blue and white, echoing the movement of the land below.

Every surface is alive with texture: the paint is laid on in thick, visible strokes, creating a sense of movement and energy throughout the scene. The composition is horizontal and panoramic, emphasizing the wide sweep of the rural setting and the monumental presence of the wheat stacks. No figures appear, but the land is marked by human activity, with the harvested wheat and the orderly arrangement of the stacks.

In the far background, a row of dark blue and purple trees lines the horizon, their forms loosely defined with undulating outlines. The upper left corner features a patch of bright yellow-green field, separated from the foreground by a thin, wavy dark line. Sunlight falls most strongly on the upper left sides of the wheat stacks, where the yellow paint appears brightest and thickest.

The sky is painted with horizontal, rhythmic bands of blue and white, using short, repetitive strokes that create a sense of swirling movement above the landscape.