A man stands alone, facing forward, dressed in a pale blue-green suit richly decorated with buttons and embroidery. His expression is serious, his lips pressed together and his eyes fixed outward, lending an air of formality and gravity to his presence. A broad blue sash crosses his chest from the right shoulder to the left hip, ending under a large star-shaped badge pinned to his coat.

The star bears an emblem and is edged with silver, signaling a high order of chivalry. His white stockings and black shoes with silver buckles complete the attire, and a ceremonial sword hangs at his left side. The figure stands on a pale tiled floor, the tiles receding into the background and anchoring him in an elegant, formal space.

Behind him, a heavy green curtain sweeps diagonally across the upper left, its folds painted with soft, blended brushstrokes that contrast with the crisp lines of his clothing. To the right, a column or pilaster rises in warm ochre tones, suggesting the grandeur of an official interior. The light falls evenly from the left, illuminating the man's face and attire while casting soft shadows onto the floor and background.

Francisco de Goya paints each detail with precision: the delicate lace at the cuffs, the subtle sheen of the fabric, and the careful modeling of the sitter's features. The composition is vertical and stately, with the figure nearly filling the height of the canvas, reinforcing his importance. In his left hand, the man holds a folded document, while his right hand extends outward clutching a letter with visible writing on its surface.

The background on the left side is dark and shadowy, transitioning to a warm, golden-brown architectural wall on the right, creating a strong contrast behind the figure. The lower right corner of the painting is marked by a deeper shadow that grounds the figure and emphasizes the direction of the light source. The paint on the curtain is applied with broad, sweeping strokes, while the architectural elements and the floor are rendered with smooth, precise lines and subtle gradations of color. José Moñino y Redondo, count de Floridablanca is painted by Francisco de Goya in 1783.