Three nude female figures stand closely together in a swirling, cloud-filled sky, their bodies forming a graceful, intertwined group at the center of the composition. An infant is lifted aloft by the central figure, held high above the women's heads with both arms outstretched, clutching a torch in each hand. The woman on the left turns her back to the viewer, her head adorned with a small cluster of flowers, and she holds a quiver of arrows at her side.

The central figure faces forward, her head slightly tilted as she supports the infant, her other arm encircling the shoulders of the woman to her right. The rightmost figure glances upward, her long hair falling over her shoulder, and she holds a delicate garland of flowers that trails down her arm. Petals and blossoms are scattered at their bare feet, emphasizing the mythological and celebratory nature of the scene.

Soft, golden light bathes the figures, highlighting their smooth skin and lending a luminous quality to their forms. The background is composed of billowing clouds, painted in pale blues, creams, and warm browns, creating a dreamlike atmosphere. Boucher uses fluid, delicate brushstrokes to model the flesh and drapery, producing a sense of movement and sensuality throughout the group.

The composition is oval, with the figures rising vertically and nearly filling the frame, their intertwined poses and gestures creating a harmonious rhythm. Small details, such as the infant’s rosy cheeks and the subtle shadows cast by the figures, reveal the artist’s attention to light and texture. Objects associated with the Graces and their attendants appear throughout the scene, including a quiver and torches. The painting is noted in the museum’s collection as a mythological painting, emphasizing its place within the tradition of classical subjects.