In 1615, Artemisia Gentileschi was commissioned to paint a series of allegorical figures for the ceiling of the Casa Buonarroti in Florence, a residence dedicated to the memory of Michelangelo. Among these, Allegory of Inclination stands out for the controversy that would follow centuries later: the original nude figure was considered too daring by later descendants, who hired another artist to paint drapery over her body. Beneath the visible layers lies Gentileschi’s bold vision, hidden from view for generations and only recently revealed through modern imaging techniques. The painting captures a young woman floating amidst clouds, holding a compass—an emblem of artistic talent and innate genius—while a star glimmers above her head, signifying destiny.

Her upward gaze and flowing hair suggest inspiration and the restless drive to create, qualities believed to have been inherited by Michelangelo himself. Gentileschi’s treatment of flesh and form is direct and unembarrassed, a contrast to the more modest allegories by her male contemporaries, such as Guido Reni. The gentle light caresses the figure, highlighting her as both muse and embodiment of creative impulse. Commissioned by Michelangelo Buonarroti the Younger, the painting was intended to celebrate his illustrious ancestor’s gifts and to adorn a space dedicated to artistic achievement.

Over time, changing attitudes toward nudity led to the addition of veils, obscuring Gentileschi’s original intent. Today, Allegory of Inclination remains in the Casa Buonarroti, its layered history a testament to both the artist’s daring and the evolving morals of its viewers. For Gentileschi, this work was part of her early Florentine period, when she was establishing herself as one of the few prominent women painters of the Baroque era.