Seven monks in white habits sit at a long table covered with a white cloth, each with a terracotta bowl and a round loaf of bread in front of them. Two figures stand at the right end of the table: an older man in clerical dress with a walking stick, and a young page in brown and grey clothing who carries a dish. The older man leans forward, extending a plate toward the monks, his face attentive, while the page looks up at him, poised to serve.

Terracotta jugs and an overturned bowl are set among the dishes, and two knives rest unused on the table. The monks' faces are solemn and absorbed, their hands poised over their bread or resting on the table, and their white robes create a strong rhythm across the composition. Light enters from the right, casting clear shadows and highlighting the folds of the habits, the gleam of the jugs, and the texture of the bread.

Brushwork is smooth and controlled, giving the habits a sculptural quality and the objects on the table a sense of weight and presence. The colour scheme is restrained, dominated by whites, earth tones, and the subtle warmth of the bread and jugs. A large framed painting hangs on the back wall, showing two figures in a landscape, one seated with a child and the other holding a staff.

Through an arched window at the far right, a pale building with a bell tower is visible against a light sky. The far left edge of the tablecloth falls in crisp vertical folds, and a loaf of bread sits untouched near the corner. The shadows cast by the figures and objects are sharp and directional, emphasizing the three-dimensionality of the scene.

The background wall is a muted beige, painted smoothly and without ornament, creating a stark contrast with the white habits and tablecloth. Fine, dark outlines subtly define the edges of the monks' robes and the contours of their faces and hands.