Martinican Meadow — History & Facts
In the summer of 1887, Paul Gauguin found himself far from Paris, painting in the lush landscapes of Martinique. This journey was more than a change of scenery: it marked the first time Gauguin set foot in the tropics, a decisive turning point that would later shape his vision of color and form. Martinican Meadow stands as one of the few surviving works from this brief but pivotal sojourn, as many paintings from his Caribbean stay have been lost or remain untraced.
The painting’s origins are wrapped in the artist’s own restlessness—his search for a world untouched by European convention, a quest he would later pursue in Tahiti. In Martinican Meadow, Gauguin captures a moment of rural life: two women pause in the tall grasses, one seated, the other standing, both dwarfed by the riotous vegetation and the distant, sunlit hills. The scene is not a grand narrative, but an everyday encounter, rendered with broad, rhythmic brushstrokes and a palette of greens, ochres, and blues that pulse with tropical heat. The figures’ simple dresses and the untamed field suggest a harmony between people and nature, a theme Gauguin would explore more radically in his later Polynesian works.
Unlike the formal, carefully constructed rural scenes of Jean-François Millet, Gauguin’s meadow is alive with improvisation and color, the boundaries between figure and landscape gently dissolving. The precise history of Martinican Meadow after its creation is uncertain, as Gauguin’s paintings from this period were largely dispersed among friends and early supporters, and some were even used to pay debts. The work’s medium remains a matter of debate, with some scholars suggesting oil on canvas, others positing a different support, reflecting the scarcity of detailed records from Gauguin’s Caribbean months. Today, Martinican Meadow is valued as a rare document of the artist’s formative encounter with the tropics—a prelude to the radical innovations of his Tahitian years, when he would fully embrace the vibrant color and simplified forms first glimpsed in the meadows of Martinique.
More Artworks by Paul Gauguin

Self Portrait
Paul Gauguin

Three Tahitian Women
Paul Gauguin

When Will You Marry?
Paul Gauguin

Where Do We Come From? What Are We? Where Are We Going?
Paul Gauguin

Merahi metua no Tehamana
Paul Gauguin

Nave Nave Mahana
Paul Gauguin

Fatata te Miti (By the Sea)
Paul Gauguin

Three Tahitians
Paul Gauguin

Breton Girls Dancing,Pont-Aven
Paul Gauguin

Nave Nave Fenua
Paul Gauguin
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View of Delft
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Windsor Castle
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The Grand Canal looking North-East from the Palazzo Dolfin-Manin to the Rialto Bridge
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