A kneeling angel with multicolored wings and a white robe occupies the lower left of the upper register, holding a stem of white lilies against a background of tiled floor and vaulted ceiling. Between them, two central panels open onto a cityscape seen through arched windows, with a dark column dividing the view and a niche containing a hanging laver on the right wall. Above these scenes, four half-length figures appear in arched compartments: a bearded man in a white turban and robe at the upper left, a woman in a green dress and veil at the upper center left, another veiled woman at the upper center right, and a bearded man in a green robe at the upper right. The lower register features four figures in niches resembling stone sculpture: at the far left and far right, a kneeling man in red and a kneeling woman in green and pink, both rendered with lifelike color and texture.

Between them stand two figures painted to imitate white stone, draped in heavy robes and placed under pointed arches; their surfaces are smooth and their forms are sharply delineated, emphasizing the illusion of carved statues. The overall composition is symmetrically arranged, with paired figures on either side of the central architectural space, and a careful balance of color between the vivid robes of the donors and the muted, sculptural tones of the central figures. Light falls evenly across the scene, modeling the folds of drapery and the surfaces of faces and hands with meticulous attention.

The paint is applied with precision, evident in the crisp lines of the architecture, the delicate rendering of hair and fabric, and the convincing illusion of different materials such as stone, cloth, and metal. A hanging laver appears in the interior scene, as noted in the description.