A twisted olive tree, its trunk thick and gnarled, stands at the center of the field, its bare branches reaching upward in dark, looping curves. To the right, a pale, angular rock sits at the edge of the field, its surface catching the light with creamy highlights and sharp lines. Behind the central tree, a row of yellow-leaved trees stretches horizontally, their foliage rendered in dabs and swirls of ochre and gold.

A low stone wall or embankment runs parallel to this line of trees, marked by a band of blue and violet brushwork that separates the field from the distant landscape. Beyond the wall, the landscape rises into a range of blue and lavender mountains, their forms outlined with bold, dark contours and filled with swirling, layered strokes. The sky above is a patchwork of pale yellow and soft green, painted with broad, horizontal strokes that echo the movement of the land below.

The composition is anchored by the strong verticals of the olive tree and the sweeping horizontals of the fields and mountains, creating a sense of depth and rhythm. Throughout the painting, the brushwork is energetic and visible, with thick, textured lines that give the surface a sense of movement and vitality. Small details, such as the clusters of grass at the tree’s base and the subtle variations in the green of the field, reward close observation.

The artist uses a limited palette dominated by greens, yellows, blues, and violets, heightening the contrast between the sunlit field and the shadowed mountains.