A garland of flowers drapes across the back of a white bull, who turns his gentle gaze toward a blonde woman seated on his flank at the centre of the scene. The woman, dressed in a pale pink robe that slips from her shoulder, rests her hand on the bull’s neck and looks toward a companion who clasps her arm. Around them, three other women recline or kneel on the grassy bank, their bodies partly draped in flowing fabrics of blue, green, and gold, each absorbed in the moment or in conversation.

Two putti, crowned with flowers, scatter blossoms at the feet of the central figures, while above, three more winged putti hover in the clouds, one holding a pair of arrows and another reaching down as if to join the revelry below. To the right, a dark eagle perches on a cloud, its wings slightly raised and its gaze fixed on the group below, while a small herd of cattle grazes in the background. On the left, a waterfall cascades down a rocky slope, framed by delicate trees and a luminous blue sky that fills the upper half of the canvas.

The light in the painting is soft and diffused, illuminating the women’s bare skin and the satiny folds of their garments, while casting gentle shadows that model their forms. The colour scheme is dominated by creamy whites, pastel pinks, and cool greens, with touches of gold and blue that enliven the scene and emphasize the playful, sensuous atmosphere. Boucher’s brushwork is fluid and delicate, especially in the rendering of hair, flowers, and clouds, where fine strokes and subtle blending create a sense of movement and airiness.

Every detail, from the intricate garlands to the expressive faces, is carefully arranged to lead the gaze in a circular motion around the composition, keeping the figures closely connected. The painting is part of the Wallace Collection, according to the museum’s record.